For many years Hong Kong has been a center of filmmaking. Traditionally, the majority of films made centered around the common themes of martial arts (Wu-xia films), organized crime (in particular Triads), and other traditionally Chinese themes. While these films were always popular in the domestic Hong Kong market, they were also popular around the globe, and especially in the United States. This reached its zenith in the 1970s, when martial arts films were very popular in the United States. Now, in the 2000s, Asian-made films seem to be having a resurgence in popularity abroad. In recent years Mainland China has also become a hotbed of filmmaking with such films as Crouching Tiger, Hidden Dragon, Hero, and House of Flying Daggers being popular not only in China but around the world. American filmmaker Quentin Tarantino plans to shoot his next film, a traditional Wu-Xia movie, in China and have its dialogue in Mandarin Chinese.

Another genre of films that become better known internationally is those depicting the exotic past of Hong Kong as a colonial city and of China with remarkable traditional symbols, notably under the directors Wong Kar-wai (Mandarin: Wang Jia-Wei) and Zhang Yimou. However, some critics argue that both directors distorted the history so as to make the depiction more appealing.